Authenticity and Presence: What Animals Teach Actors About Truth
Andreas Szakacs explores how working with animals has deepened his understanding of authentic performance and genuine presence in AI cinema and beyond.
Animals don’t lie.
They can’t fake interest, pretend to listen, or manufacture connection. They exist in radical authenticity, responding only to what’s genuinely present.
This makes them brutal teachers—and extraordinary mirrors for anyone interested in authentic performance.
The Horse as Truth-Teller
Horses, in particular, are exquisitely sensitive to incongruence.
If your body language says one thing while your energy communicates another, a horse will respond to the truth beneath your presentation. Tension you’re trying to hide? They feel it. Confidence you’re faking? They see through it.
You can’t act your way into a horse’s trust. You have to embody it.
This lesson has transformed my approach to acting.
Presence Over Performance
Early in my career, I thought acting meant “doing something.” Showing emotion, projecting energy, demonstrating character traits.
Working with animals taught me the opposite: Acting is being something.
When you’re with a horse, you can’t think about what you’re doing while you’re doing it. The moment you split your attention—part present, part observing yourself—the horse responds to that disconnection.
Complete presence is the only option.
This translates directly to camera work, especially in intimate scenes. The camera, like an animal, detects incongruence. Audiences may not consciously identify what feels false, but they feel it.
Authentic presence isn’t a technique. It’s a state.
Congruence as Foundation
Horses have taught me to notice the micro-disconnects between:
- What I’m saying and what I’m feeling
- What I’m projecting and what I’m experiencing
- Where my attention is and where I claim it is
These gaps are where inauthenticity lives.
In performance, audiences sense these disconnects even when they can’t articulate them. A line reading might be technically perfect but emotionally empty. Physical presence might be strong but internally disconnected.
Animals force you to close these gaps. You can’t be partially present. You’re either there or you’re not.
Energy Management
Animals taught me that energy is tangible.
Approach a horse with scattered, anxious energy and they become unsettled. Approach with calm, grounded presence and they relax.
This isn’t mystical. It’s observable behavior responding to real physiological cues—breathing patterns, muscle tension, focus quality.
The same dynamics apply on set.
My energy affects my scene partners, the crew, the overall atmosphere. Anxiety is contagious. So is calm focus.
Now I treat energy management as seriously as script preparation. Before stepping on set, I check in: What energy am I carrying? Is it serving the work?
Non-Verbal Truth
Animals communicate entirely non-verbally. This forces you to develop sensitivity to subtle signals.
A horse’s ear position, muscle tension, breathing rate, eye contact—each conveys information. You learn to read the truth beneath the surface.
This skill translates powerfully to acting.
So much of human communication is non-verbal. Audiences respond to micro-expressions, body language, the space between words. These communicate truth more reliably than dialogue.
Working with animals sharpened my sensitivity to these signals—both in myself and in scene partners.
Patience Without Agenda
You can’t rush a relationship with an animal. Trust develops on their timeline, not yours.
This requires patience without hidden agendas. The moment you’re “trying” to connect—mentally tracking progress, assessing success—you’re not actually present. Animals sense this instrumental approach and withdraw.
Genuine connection requires releasing outcomes.
Acting benefits from the same approach.
When you’re trying to “nail” a performance, force an emotional moment, or manufacture connection with a scene partner, the result feels effortful. Authentic performances emerge when you release outcome-attachment and trust the process.
Animals won’t participate in forced connection. Neither will audiences.
Respect for Otherness
A horse is not a dog. A cat is not a horse. Each species has specific communication languages, needs, and boundaries.
Respecting this teaches humility—recognition that not everything operates according to human logic or responds to human strategies.
This lesson applies to acting across cultures, characters, and contexts.
Every character has their own logic. Imposing your personal patterns onto a character creates two-dimensional work. Real characters exist on their own terms, with internal consistency that may differ from your natural patterns.
Animals taught me to respect otherness rather than trying to make everything conform to my comfort zone.
Living in the Moment
Animals exist almost entirely in the present. They’re not ruminating about yesterday or planning tomorrow. They’re responding to right now.
This is the state actors try to access but often struggle with.
Your mind wants to judge the previous take, worry about the upcoming scene, think about how you’re performing rather than simply performing.
Animals live the state we’re trying to achieve.
Spending time with them is like meditation practice—constant return to this moment, this breath, this interaction.
The more I’ve practiced presence with animals, the more accessible that state becomes on camera.
Authentic Emotion
Animals don’t perform emotions. They experience them.
A nervous horse isn’t “acting nervous.” They’re responding to genuine perception of threat. A content horse grazing isn’t “showing contentment.” They are content.
This distinction—experiencing vs. demonstrating—is everything in acting.
When you experience an emotion, your body naturally produces authentic physical expressions. When you demonstrate an emotion, you’re manufacturing signals you think convey that state.
The difference is imperceptible in description but obvious in viewing.
Animals reminded me that my job isn’t to show emotions. It’s to create conditions where emotions naturally arise, then allow them to express through me.
The AI Cinema Connection
You might wonder how this connects to AI filmmaking.
As we build increasingly sophisticated digital environments and use AI tools for production, the risk is losing touch with authentic human expression.
Technology can simulate almost anything. But it can’t generate genuine presence.
That remains uniquely human—and increasingly valuable as technology advances.
My work with animals keeps me grounded in embodied, authentic presence even as I embrace digital tools. The AI assists with execution, but authentic humanity remains at the center.
Practical Applications
These lessons show up constantly in my work:
Pre-Scene Ritual: I spend a few minutes grounding into body awareness, similar to approaching an animal—checking my energy, releasing mental chatter, establishing presence.
Scene Partner Connection: I approach scene partners with the same quality of attention I’d give an animal—genuine interest, non-agenda presence, sensitivity to subtle signals.
Camera Relationship: I think of the camera not as equipment but as a conscious presence, responding to authenticity the way an animal does.
Energy Hygiene: Between takes, I reset my energy state rather than carrying residue from previous moments.
Outcome Release: I focus on quality of presence rather than results, trusting that authentic presence produces authentic performances.
Beyond Technique
The deepest lesson from animals is this: Authentic presence isn’t a technique you apply. It’s a state you inhabit.
You can’t fake your way there. You can’t perform presence. You can only be present.
This is humbling for actors trained in technique. We want tools, methods, approaches we can apply.
But the most powerful tool is stripping away everything between you and genuine being.
Animals won’t let you hide behind technique. They demand the real you.
So does the camera, though it’s less obvious.
Integration
I don’t work with animals on every project. But the lessons have become integrated into how I approach all performance:
- Embody rather than demonstrate
- Close gaps between inner and outer
- Manage energy consciously
- Release outcome-attachment
- Respect each character’s unique logic
- Live in the moment
- Trust authentic emotion over manufactured expression
These aren’t romantic notions. They’re practical approaches that produce better work.
And they all stem from radical honesty animals demand.
You can’t lie to a horse. They taught me not to lie to the camera either.
Or to myself.
That’s the real gift.